Music has always been there to support my down time, up time and any other time, often massaging the other eclectic diversions. I grew up in the era of the beginnings of synthesizers, drum  machines and multi track cassette recorders. It was during this time, while producing some holograms for the government as a guest artist at the physics department of Australia's National University, that I also had the opportunity to use an early CMI Fairlight (invented in Australia) which comprised of a full size keyboard, computer and microphone that could record and store sounds as a sampler and played across the keys. At that time, these were beyond the price range of mere mortals below the likes of Peter Gabriel and Stevie Wonder. Mine was at the Canberra School of Electronic Music. Effective but primative by todays standards it nonetheless gave me the chance to immerse myself in experimenting and improvising with the ultimate sonic generator. As I had no formal music training I was the kid in the candy store. Improvised playing was a natural approach. Today I am prepared to leave musical mistakes. Perfection is the rule celebrated by those who often have little else to give. And while my music may, at times seem structured, many recordings include numerous one takes, be it piano, guitar, or any of the vast number of synth tones, responding to the previous recorded layers and seeing what my fingers choose to play. Maximum 5 tracks per offering regardless of total times.